An Observation About Analysis
When you study music for a long time, you analyze music almost without thinking. You tear things apart and generate formal, melodic, and harmonic maps of pieces almost without thinking. I was teaching a webcam lesson earlier this week on the Merlin Suite Del Recuerdo, and without thinking about it I had analyzed the melody and form.
This is a good thing in the sense that it makes it very easy for me to have something to say about a piece when teaching, even if I’ve never played it before (as was the case with the Merlin: I’d never looked at the sheet music before). On the other hand, this makes it very hard to listen to music while doing anything else. I can’t listen to music when I read; I can’t listen to music when I write blog posts or papers. About the only time I can listen is when I set aside time specifically for that or late at night.
It’s kind of a cool development, like the last six years of music training* has finally started to catch up with me. I can’t even imagine what goes through veteran musicians’ heads when they hear a piece of play through it for the first time. I have to think that the level of analysis that takes places unconsciously is amazing.
*That’s a long time–25% of my life so far has been spent in college/grad school.